Imprinted from the artist’s own body — a suspended landscape of memory, displacement, and inherited myth
Curator’s Choice Award, London Design Festival 2025
Ingram Prize Finalist 2024
HAORI
WEARABLE ARTIFICIAL SKIN INSTALLATION
Between human and non-human transformation — a veiled body shaped by folklore, trauma, and posthuman identity
Collected by Adamovskiy Foundation
Sponsored by Bentley Advanced Materials
MUJINA
HYPER-REALISTIC, LIFE-SIZED FIGURE
Imprinted from the artist’s own skin — a tactile surface revealing touch, memory, and quiet presence
ARTIFICIAL SKIN
ARTIFICIAL SKIN TEXTILE IN CLOSE-UP MOTION
Tattooed with yōkai narratives — a wearable form between protection, exposure, and coexistence
Collected by Adamovskiy Foundation
WEARABLE SKIN SERIES: HAORI
ARTIFICIAL SKIN TEXTILE IN CLOSE-UP MOTION
Artificial skin imprinted from the artist’s body, embedded with the artist’s own hair — holding early trauma beneath the surface
Exhibited in London, including Noho Gallery, HSBC HQ, and the Royal College of Art
INNER CHILD
SILICONE BODY FRAGMENT
Urticaria blooming like flowers — the body’s reaction transformed into tenderness and witness
Proceeds support child protection organisations
Private collections, London
SILENT SCREAM
SILICONE SKIN SCULPTURAL PAINTING
Hand-sculpted flesh as garment — skin displaced, multiplied, and worn as an unstable boundary
Runner-up, Batsford Prize 2019
Shortlisted, Humanism Art Contest 2021
WEARABLE SKIN SERIES: SKIN GARMENT
EARLY WEARABLE SKIN WORKS
Female silhouette etched with vein-like traces — a body illuminated from within, between biology and abstraction
Exhibited at Tama Art University, Tokyo
NYOTAI
LAYERED ACRYLIC LIGHT SCULPTURE